Wonderful

Art critic Bernard Lamarche, in a text entitled “Margins of Meaning”, shows us the hidden dimensions of Anne Ashton’s works. He highlights the characteristics of this original production, and in parallel, and to our delight, the various cultural references that can be found. The volume includes some of the first works of Anne Ashton, as well the series or cycles, Spin-O-Rama, Motel America, El Centro, Mojos and Enduro. Renowned photographers, including Éliane Excoffier and Guy L’Heureux, contributed to the many reproductions of the book.