Bernard Gamoy

PAINTING
11.25–12.19.1993

Where are the points of intersection between languages, between cultures, between people, and between different forms of artistic expression? How can one recognize oneself—displaced—within the solitary process of group politics, while maintaining a social and artistic consciousness in constant flux? What is this ethical pressure to justify to oneself one’s motivations, intentions, control, and resolutions within a theatrical, tormented, anxious, bureaucratic, and violent social condition?